segunda-feira, 1 de dezembro de 2008
Entrevista com Hugo (Switchtense)
Confrontation Of Souls é o longa duração de estreia, vai ver a luz do dia a 2 de Fevereiro do próximo ano pela Rastilho Records e promete vir a ser um dos melhores registos do ano vindouro. O Música de Peso foi falar com Hugo, o vocalista da banda.
Música de Peso - Conta-nos um bocado da história dos Switchtense, como se formaram, o que já lançaram até agora?
Hugo - Antes de mais quero agradecer ao MÚSICA DE PESO pela oportunidade de falarmos sobre a banda, o album e as nossas ambições e objectivos!
Formámo-nos em 2002, e depois de 2 demos, alteramos a formaçao e editámos o nosso EP de estreia em 2006! Depois da ediçao do EP, deu-se a entrada do segundo guitarrista.
Já no final de 2007 e depoios de mais de 50 concertos ao vivo (com bands como Napalm Death, Dew-Scented, Caliban etc..) nova mudança de formação para desta feita entrar novo baterista. É com esta formaçao (Hugo - voz / Karia - Baixo / Neto - guitarra / Pardal - Guitarra / Xinês - Bateria) que em Maio de 2008 entramos em estudio, nos Ultra Sound Studios em Braga, e em conjunto com o Daniel Cardoso e o Pedro Mendes, produzimos o nosso primeiro album CONFRONTATION OF SOULS, a ser editado já no proximo dia 2 de Fevereiro de 2009 pela Rastilho Records. Basicamente e resumidamente este tem sido o nosso caminho.
MP - Em termos de aparições ao vivo, qual/is consideram as mais importantes e mais frutuosas? Há algum momento engraçado que gostasses de partilhar?
H - Sempre que vamos tocar é um momento importante para nós! Isto porque vamos fazer exctamente aquilo que mais gostamos e o que nos dá mais prazer: tocar ao vivo! Em grande parte a "essência" dos SWITCHTENSE são os concertos ao vivo. É ai que conseguimos realmente chegar ao público e contagiar quem estiver presente numa sala; é a nossa missão e objectivo! Até à altura, e nomeadamente durante este ano de 2008, temos tido grandes momentos ao vivo: o Moita Metal Fest, Metal GDL, Festa do Avante ( onde tinhamos cerca de 1500 pessoas a ver o nosso concerto ) , o LSM em Braga, o Berço Fest em Guimarães, o último que demos em Evora, etc...Estes concertos, e por terem sido os mais recentes são sem duvida alguma os que consideramos mais importantes, digamos que marcam um ponto de viragem na nossa existência enquanto banda! Recebemos grandes críticas e muitas manifestações de incentivo por parte de quem pôde testemunhar estes concertos que referi! Nós queremos muito isto, e isso acaba por se transferir para o palco durante os nossos concertos.
MP - Com quem, morto ou vivo, gostariam de partilhar um palco?
H - Já tivemos a sorte de tocar em concertos com bandas que para nós nos dizem alguma coisa: casos de Dew-scented e Hatesphere por exemplo, e com os quais pudemos conviver de perto e trocar impressoes com estas pessoas que têm uma realidade completamente diferente da nossa!
Existe um determinado número de bandas com as quais teríamos todo o prazer e orgulho em partilhar um palco, tanto devido a gostos pessoais como sonoridades parecidas! Hatebreed,
Lamb of God, Testament, Slayer e tantos outras referencias...temos ambição de poder um dia tocar com toda esta gente!
MP - Avançemos para as perguntas sobre o vosso disco de estreia, Confrontation of Souls. O que podem as pessoas esperar dele? Fala-nos um pouco sobre o álbum, o processo de composição, etc.
H - Como tudo nesta área requer trabalho, este disco é antes de tudo o resto o fruto de um trabalho árduo!
Começámos a trabalhar no disco no verãoo de 2007, ainda com o nosso antigo baterista. Entre concertos de promoçãoo do EP que ainda tinhamos para fazer na altura, áamos trabalhando em temas novos tendo já em vista este álbum!
Entretanto ficámos sem baterista, o que não nos impediu de continuar a compor temas e ideias para o disco de estreia!
No meio de todo este processo apareceu o Xines (actual baterista), que era precisamente a pessoa que faltava para dar forma as ideias que iamos desenvolvendo!
Começámos a ensaiar o album e gravámos uma pré-produção detalhada na nossa sala de ensaios. Com este processo de pré-produçao facilitámos o trabalho, tanto o de composiçao como o de execução dos temas que iríamos gravar! Esta foi uma grande mais valia que mais tarde se veio a desenvolver na gravação do álbum nos Ultrasound Studios.
Nesta altura que te estou a responder à entrevista ainda nao acabamos de trabalhar no álbum, pois estamos a ultimar todo o artwork, em conjunto com o Joao Diogo que está a fazer
um trabalho excelente! Esperem para ver e ouvir :D
MP - Fiquei com impressão que o álbum ia sair mais cedo do que 2 de Fevereiro. É verdade? Se sim, a que se deveu o atraso?
H - Sim é verdade, a primeira data anunciada foi 12 janeiro, mas devido a uma situação de logistica, a Rastilho achou por melhor adiar o lançamento para o dia 2 fevereiro.
A nós nada nos afecta pois está tudo a correr dentro dos prazos que, nós enquanto banda, estipulámos!
MP - Trabalhar com o Daniel Cardoso - um autêntico faz tudo no metal nacional - e gravar nos estúdios dele foi uma opção pensada desde início? Porque optaram por gravar lá e não, por exemplo, nos Rec'n'Roll Studios?
H - Trabalhar com o Daniel Cardoso foi sem dúvida um passo importantíssimo para conseguirmos sacar o melhor som no álbum. No início não era uma opção, apenas por questães de disponibilidades. Mas assim que esse problema se resolveu, falámos imediatamente com o Daniel e marcamos 2 semanas no estudio para captarmos os 10 temas de Confrontation of Souls. E em boa hora o fizemos!
MP - Como foi trabalhar com o Daniel?
H - Foram altamente os 15 dias que passámos em braga. O Daniel é um grande profissional e ajudou-nos bastante a sacar todo o power que está registado no album! Não há muitos a
trabalhar como ele em Portugal,arriscando-me a dizer que ele é mesmo o melhor! Estamos de todo agradecidos pela dedicação que ele depositou no disco. Funcionou na perfeição a nossa escolha, que ultrapassa a questão de se gravar apenas um album! Podemos afirmar que fizemos boa amizade com o Daniel e com o Pedro Mendes [que também trabalha no Ultrasound StudioS]!
MP - Acham que em Portugal há bons estúdios para uma banda como a vossa ser gravada ou é uma lacuna que tem que ser preenchida rapidamente?
H - O Ultrasound é um estudio que está a servir para já grande parte das bandas portuguesas! A unica complicaçãoo, para gentes do sul, é mesmo o facto de se localizar em Braga, coisa que se facilmente se supera, olhando ao facto de realmente se conseguir trabalhar numa qualidade muito boa! Penso que o nível está a subir e vão aparecendo cada vez mais pessoas, a trabalhar cada vez melhor!
MP - Vi, algures na net, alguém dizer que os Switchtense são os Pantera e Slayer portugueses. Sentem-se assim? Que sentem quando ouvem críticas assim? H - Ahah! Sem dúvida que são grandes referências para nós e para todos os que gostam de metal. Não nos sentimos como ninguém, sentimo-nos como os SWITCHTENSE. Fazemos a música que mais gostamos, mas claro, receptivos a todas as influências que nos rodeiam... Contudo, e vendo a coisa pelo lado mais simples, penso que as pessoas necessitam de criar referências para a musica que ouvem e, como tal, é normal usarem o nome dessas bandas como sendo uma referência para o estilo de metal que fazemos! No final de contas, acabamos por ficar lisonjeados com a comparação....é sinal que estamos no caminho certo!
MP - Por falar em críticas, que vos parece a expectativa do público para o vosso disco de estreia? Que vos têm dito até agora?
H - Todo o feed-back que temos recibido a esta primeira fase de promoção do album tem sido muito positivo! Desde o momento que colocamos a primeira musica on-line no nosso myspace para escuta que a pagina não tem parado! Os views aumentaram, os plays por dia também, assim como os comentários e mensagens de incentivo e de parabéns pelo trabalho realizado!
Outro factor imporante, é o facto de nos concertos que fomos já dando durante este ano de 2008, em que fomos tocando alguns dos temas que estarão no album, termos recebido críticas altamente positivas! As pessoas não têm ficado indiferentes por onde temos passado e isso aumenta a expectativa em torno do que conseguiremos fazer com este disco de estreia.
MP - O metal em Portugal cresce a olhos vistos. Desde que os Switchtense se formaram até agora, que acham que mudou, para melhor e para pior? E o que achas que é preciso para mudar ainda mais?
H - Acho que mudaram já algumas mentalidades! Cada vez mais temos bandas com mais qualidade e com mais profissionalismo...penso que a "concorrência" a isso obriga! Hoje em dia quem quer fazer uma cena séria tem que gastar mais dinheiro, trabalhar mais, estar mais disponével... Por isso acho que as coisas no metal nacional têm melhorado bastante. Agora, falta aquele "boom" do público, aquele querer apoiar mais o que se faz em Portugal para as coisas andarem mais para a frente ainda... Temos muito boas bandas capazes de ombrear com nomes internacionais.. Falta-nos um pouco de amor-próprio, mas isso já é uma coisa generalizada, a qual temos urgentemente que combater!!
MP - Onde é que vamos poder ver os Switchtense a actuar proximamente? Para quem nunca vos viu ao vivo, resume em cinco palavras um concerto de Switchtense.
H - Já temos alguns concertos marcados para 2009. O primeiro será no Hard Metal Fest em Mangualde no dia 10 janeiro (ao lado de bandas como Dew-Scented, Avulsed, Angriff, Revolution Within etc...).
Depois deste concerto iniciaremos os concertos que farão parte da Tour de promoçao do disco de estreia: para começar teremos o concerto de apresentaçao do álbum no dia 31 Janeiro, no In Live Caffe, na Moita!Passaremos tambem pelo Alfa-Bar, Side-B, etc, etc... O melhor é irem passando em www.myspace.com/switchtenseportugal e ficarem informados acerca de todas as datas que ai virão!
Resumiria nestas palavras um concerto nosso: VONTADE, ENTREGA, CAOS, PODER e DESTRUIÇAO!
MP - Últimas palavras, que gostava que dedicasses aos ouvintes deste programa e a todos os fãs de metal por este nosso país fora :)
H - Apoiem o Metal nacional e façam com que os concertos tenham cada vez mais gente, os discos se vendam cada vez mais para que todos nossos possamos evoluir em varios aspectos! Fiquem atentos a Fevereiro de 2009, pois daremos o nosso primeiro contributo para a cena metaleira portuguesa! Contamos com vocês!
terça-feira, 9 de setembro de 2008
Entrevista de Peso com Rune Folgerø (Atrox)
Rune Folgerø fala-nos da banda e do último álbum Binocular, do forte espírito musical que se vive na Noruega e apresenta-nos alguns valores futuros.
Música de Peso - According to some sites, Atrox formed in 1988, but people had to wait until 1997 to hear the first LP, Mesmerised. What took you so long to release the album?
Rune Folgerø - Back in 1988 the guys in the band were around 15 years old, and recording albums, and even more – releasing them - would have been quite difficult. Atrox has also faced quite a bit of line-up changes since the beginning, so the young age and stability within the band has been working factors here. - but it must be mentioned that there was, nevertheless some recordings done prior to the first album, like the demos “Mind Shadow” and “Dead Leaves”. The band also needed to get a record deal and that did not happen before 1996, when Atrox signed to Danza Ipnotica for a 7” and Head Not Found for an album.
Another factor is that the band has always used some considerable time making new material , not releasing anything until 100% satisfied.
MP - After 4 LP's, Monika and Pete left the band. Why did that happen exactly?
RF - The main reason for this was that the members of the band had different opinions towards what musical directions Atrox should take and therefore it was hard to create music that all involved parts were satisfied with. You could say that Atrox was moving towards a dead end musically. Even whilst recording "Orgasm" there was a certain doubt about the musical direction Atrox was taking. Not seeing eye to eye (hearing ear to ear) musically was the main reason. Wanting to try new styles – and not wanting to be under the "metal" label where some of the members view. Monika and Pete was also not to found of doing gigs, and the others wanted to play live so we were not agreeing on this point of view either. So some things had to be changed for continuing Atrox, and in the end it turned out to be something positive for the band.
MP - The albums before Binocular were more aggressive, more extreme and now you have a great progressive, groovie and funky sound. Do you think you could make Binocular like five years ago, with the old line-up?
RF - I still feel there's quite a bit of aggression left in the band , and at some levels the intensity and "aggression" is way higher on this new album. But I guess that's a matter of opinion, and what you are hearing in the music. "Binocular" is wastly multilayered, and the fact that the Guitars aren't that dominant anymore, I can understand that this gives the album a "softer" finish.
The extremeness you are describing is due to Monikas extravagant, experimental vocals, there's still a lot of the same references in the compositions instrumentally.
The change from a flamboyant female singer – to the more streamlined vocals of todays line up has also clearly changed the sound. And here- in the Vocal department – things are even more aggressive – more catchy and melodic maybe – but also fitting in with the music, on a totally different level.
5 Years ago – Rune Sørgård wasn't in the band (taking a little break in Sweden) – and most of the material on "Binocular" comes from ideas and compositions he was making while he was there. When he returned to Atrox, and Norway he had his computer full of material he wanted to present for the band – and this new electronic influence was something that changed the whole soundscape drastically. So – the answer would have to be – no! - I don't think that would have been possible. And even more – within the band nowdays – there's a greater variety of musical references- not at all coming only from metal – backgrounds – we merge our heads and instruments together to create the Atroxphere.
MP - Was this the sound that you were looking for? Which bands do you consider to be your greatest influences?
RF - I must say that we are indeed very satisfied with the material on "Binocular", and yes, we did find most of the things we set out to find on this album. We even had a few surprises – discovering more than we initially thought we would. Coming from all sorts of musical backgrounds, it's not easy to mention the influences as a whole for the band. But our music may appeal to listeners of bands like: Arcturus, Ulver, Ved Buens Ende, Manes, Sepultura, Pain, Tim Burton productions, Fields of Nephilim, Paradise Lost, Silverbullit, Aryeon, Stephen King books, Faith No More, Mr Bungle, Peeping Tom, Mesuggah, Killing Joke, Peccatum, Rammstein, Frank Zappa, DHG, Voivod, Cynic, Aghora, 3rd & the Mortal, In the Woods, Fear of God, The Gathering, Madder Mortem, Devil Doll, Anathema, Katatonia, My Dying Bride, Diamanda Galas, Red Harvest and so on.
MP - Rune Sogard was also involved in How The World Came To An End, from Manes. Can you establish a comparison between Manes and the "new" Atrox?
RF - It is quite fair to draw these lines – and make a comparison between the two bands, both bands from Trondheim sharing some musicians – and the involvement of Sørgård – the use of electronics etc. But Manes was more of a musical colloboration, whereas I feel Atrox is a much more rooted band. And musically – of course the instrumentalists leave their signatures. But the album “How The World Came To An End” was mainly written by Manes members Cern, -viNd- (from Atrox) and Torstein.
MP - Why do you think that Northern Europe countries are so prolific in great quality music?
RF - Personally, I find it very difficult placing good music geographically , but I truly believe the winter climate up north does certain things to the human mind. We are known to be more patient and "Slow" compared to the more continental stereotypes. The waiting people – waiting for spring- long winter hibernation. The feeling of seeing/hearing something different and "exotic" is something we all come across when we encounter something from a different culture. But being in the midst of it, living in Norway- it is quite difficult to look upon this matter from the inside.
MP - Are you already thinking about what you're doing next? RF - We always have the next step on the Atrox ladder in mind, and we are well into pre-producing and making material for the next album. But there is still a lot of promotion and presentation of the material we have right now to be done. We are hoping to do a European Tour before 2009- and this is one of our main focuses at the moment.
MP - If you have to choose, which band(s) would you say it's going to be the "next big thing"?
RF - There's so much happening in the music scene – and it's hard to follow it all, but from Norway I believe that "Animal Alpha" will have quite a break soon. AND -There is this new band from Trondheim called "22" that I really think deserves to make it. CHECK THEM OUT! A crazy young bunch of good musicians – progging and funking up most musical references, one of my local favourites.
MP - When will you come to Portugal? (eheh)
RF - We are hoping to go touring as much as we can, to meet the audience and present our stuff... and there is as I mentioned earlier a plan for a European Tour soon. Maybe if someone from Portugal are willing to give us some hints and inside information, it will make it all easier (eheh). Both Season Of Mist - and the band are promoting the stuff – and things are happening.. We are building our network and expanding the Atroxphere- hope to see you out there one day!
terça-feira, 26 de agosto de 2008
Entrevista com Marco Serrato (Orthodox)
Música de Peso - Orthodox is somehow an unconventional band, with an unique blend of sounds and inspirations. Is there any concept and/or background?
Marco - The real concept would be the way we see life and music. don´t know if it could be called a "concept". I wouldn´t say we´re a conceptual band or anything. Maybe when we started we were very tied to the imaginery present on our first album which is still there, but I don´t know... It´s just about crushing minds and make people feel uncomfortable. true metal. It´s not music for a party, it´s serious and orthodox.
MP - The name of the band Orthodox has any religious meaning?
Marco - With everyone trying to be so nice, heterodox and open minded nowaydays, someone has to make a call about the fact that sometimes things have only one way to be made. Or that you need to make some sacrifice. It´s about to accept how mankind is.
MP - Does Spanish religious folklore and liturgy influence your music and lyrics?
Marco - Yes. Even if we don´t want to... Or even in terms of oposition.
MP -Being on stage represents some kind of ritual for you?
Marco - Our first gigs were more concerned about that fact. We´re more relaxed now about that, but playing on stage it´s a ritual itself, not just for us but for everyone from Gorgoroth to Shakira. It´s about what you want to do with it. But it´s a ritual, like sitting on the table for dinner.
MP - Free-jazz seems to be a strong component of your music - mainly on drums, I think. Do any of you have some kind of musical formation?
MP - The guitar player and I have been studying music for a few years now, but it´s too late for us. Our musical deformation is strongest than our musical formation.
MP - With your first album, Grand Poder, you were strongly compared with bands such as Sunn O))) and Earth (even visually) and then, with Amanecer en Puerta Oscura, influences like Black Sabbath, Melvins and some stoner/doom bands were mencioned. How do you feel with such comparisons?
Marco - We love all that bands so it´s ok for us, but it´s the obvious comparisons. What about Black Flag, Manowar, Yawning Man or Rush? I think it´s there too.
MP - Is it hard for you, as a band, to process all the influences that can be heard in any of your records? Is it conscious, do you really try to blend all those styles?
Marco - No, we just try things we like. Our heads are full of shit, and when we put all the shit together the shitest things come out easily.
MP - How did you get to Southern Lord records? Do you think it was because of all the influences? How is it to be signed with them?
Marco - I think Julian Cope´s review had a lot with that. Of course Greg said he dig "Gran Poder", so it was easy. It´s great for us to be in a label like that surrounded by so many great bands.
MP - You've been in Portugal last year - if i recall correctly. How was the concert, the portuguese crowd? Do you keep any memories of that show? Will you come back?
Marco - We love Portugal. People were very nice to us and the shows were great. We hope we come back soon.
MP - What are Orthodox plans for the near/farer future? Can we expect a new album sometime soon?
Marco - Sure, we're working on the new album right now. It will be recorded very soon.
MP - Until the end of the year, can we find Orthodox playing anywhere?
Marco - We made a few gigs last summer, but, as I told you, we´re working in the new album right now. so I couldn´t say when we play live again...
MP - Final question: favourite myth and mythological character?
Marco - As metal kids we´re Lovecraft guys after all... So, choose anyone... Nyarlathotep for example.
quarta-feira, 25 de junho de 2008
Ne Obliviscaris à conversa com Música de Peso
Saídos da cena australiana, tal como os sleepmakeswaves e os Alarum, os Ne Obliviscaris são uma das mais surpreendentes bandas da actualidade. Com uma variedade enorme de influências e uma sonoridade marcadamente Black e Death Metal Progressivos, preparam agora o álbum de estreia que irá suceder à excelente demo The Aurora Veil. Tim Charles (violinista/voz limpa) respondeu a algumas perguntas.
Música de Peso - So you guys formed around 2003. Tell us a little bit about your story as a band [including why you guys are called Ne Obliviscaris]. Did any of you had a band before, does any of you have some kind of musical formation...?
Tim Charles - Ne Obliviscaris is latin and means ‘forget not’. When choosing our bands name we wanted something that had depth and feeling, something that could be interpreted beyond one exact thing, a name that felt powerful and had impact, and a name that has a sense of history. For me personally, the saying, ‘forget not’, is about being aware of life: learning from the bad times, and appreciating the good. To be truly aware of everything that has come before us, in our lives and from a historical perspective, is to acknowledge the world as it is, an action that in of itself gives us a greater chance to improve our own lives and the world in general.
In regards to the story of the band- despite the band forming in 2003 it wasn’t until early 2005 that we had a complete and stable line-up. Once we achieved that stability the songwriting took a new and more developed direction that is the sound people now associate with Ne Obliviscaris. A couple of the guys played in some other local metal bands before NeO, but nothing that serious comparatively.
MP - What took you so long to record this demo?
TC - We were determined to make our mark straight away and we wanted to make sure that we made a positive first impression with people. So with that in mind, we waited until we really felt like we could do a recording we were proud of. Plus, because it wasn’t until early 2005 that we had a stable line-up, this made this timetable a lot more drawn out than initially anticipated. Also, in 2005 I had to have my tonsils out and couldn’t sing for a couple months, and Xenoyr was in an accident and broke his leg; so all these combined resulted in it taking us until late 2006 to finally record our demo.
MP - Where do you get all the influences (and inspiration to write) that can be heard on Aurora Veil? [i can even sense a little bit of eastern music] What do you consider to be your main influence - band or genre?
TC - Ne Obliviscaris is comprised of 6 musicians that are all very open minded musically, which results in all sorts of influences coming in from every direction. Each member brings in their own individual influences and because of that I wouldn’t really say that we have any one main influence. Personally I am inspired by all types of music whether it be metal, rock, jazz, western art music or otherwise. Life in general is an inspiration, our friends, families and all our experiences. If one takes everything in, I feel it allows you to more fully express yourself creatively and to sound out your personal unique voice.
MP - In the recording process, all these influences are combined consciently or is it kinda spontaneous?
MP - Do you think you already have your own recognizable sound? Do you think people can identify your band if they'd hear it on the radio?
TC - Ikuinen Kaamos are an incredible progressive death metal band from
sexta-feira, 20 de junho de 2008
Timb falou-nos da banda, do que os influencia, dos projectos e de todo o universo que rodeia a banda, musicalmente e não só.
Música de Peso- Most recently some of the Estradasphere members worked with Amanda Palmer (Dresden Dolls). How did the opportunity come out?
MP - How was it like working with her?
MP - Besides the shows you gave in Seattle, will there be a record of your work together?
MP - Estradasphere's music is anything but simple. Where do you get the inspiration to write it?
MP - In Palace of Mirrors, the band seems to focus more in some kind of score work. Do you think you will ever be in a scoring production?
MP - Video games score also appears on Sphere's music. Is there any reason for that?
MP - Is there any band or musician that had a special impact on you?
MP - Many people consider you to be the musical heirs of Mr Bungle. Do you feel that way? Do you feel any kind of responsability/pressure when you hear that?
MP - Before you signed with The End, you were with Mimicry. Why did you changed?
MP - What are your plans for the near future? Will you tour, will you release a new record anytime soon...?
TH - One of us is having a little one soon, so we are going to play fewer shows, often in smaller combinations of musicians, for the next year or so. We'll see what the future has to offer...
In the meantime, Jason has new record coming out called "The Orange Tulip Conspiracy", Jason and I have a bunch of Secret Chiefs touring to do in the US and Europe, and I have joined a trio with Gyan Riley (guitar) and Scott Amendola (drums), which will be traveling internationally.
MP - Changing subjects a bit, what do you consider to be the best of being on tour?
MP - Do you have any literary and/or musical recommendations for Musica de Peso blog's readers?
terça-feira, 10 de junho de 2008
Entrevista a Dan Swanö
O Música de Peso pôs algumas questões e Dan acedeu a respondê-las. De forma directa e clara, levantando o véu a algumas dúvidas. E também deixou alguns conselhos para quem estiver a começar no mundo da música.
Música de Peso - Which was you first contact with metal and death metal?
MP - You've done and been doing a lot of stuff in music: you had the Ghost project, you played with Katatonia, you have some old-school death metal projects (like Infestdead) and a hard-rock band, Nightingale. Are you looking for some kind of musical fullfilment or you are an hyperactive person who loves music?
MP - Some years ago, you founded Pan-Thy-Monium with your brother, which is everything but traditional death-metal. What did you want to do or obtain with Pan-Thy-Monium?
MP - You've been credited in about 100000 records that came out of Sweden in the last 15 years. Do you feel like a generous Godfather to swedish death metal?
MP - Why did you abandon such projects as Edge Of Sanity? People say that you can't do death grunts anymore...Is that true?
MP - A question about the legendary Sorskogen: why did you and Mikael Akerfeldt never took it forward and recorded a whole album?
MP - Most recently you've been working as producer and doing some studio work. Why did you decide to do that instead of keep playing only?
MP - In 2006 you mastered "Hellbound Heart", a record from the portuguese band Shadowsphere. How did that opportunity came along?
MP - Tell us a little bit about your Unisound project.
MP - What are your projects for the present and for the near future? I've heard that a "Moontower II" might see the daylight sometime soon...
MP - Do you have any advice for new bands that are starting now?
MP - Some recommendations, both musical and literary for our listeners?'
domingo, 8 de junho de 2008
Lord K. Philipson fala dos Torture Division
MP - Torture Division are a new band. Tell us a little bit about the band...
Lord K. Philipson - All necessary information can be found at www.torturedivision.net, but in short; we are a bound to be legendary death metal act from Sweden rounded out by myself on guitar, Jörgen Sandström on vocals and bass and Vomitory's Tobben Gustafsson doing the blasts.
MP - When will you release your first LP? I've heard that Dan Swano will produce it... LKP - I don't think we want to record an album, we like this demo thing and too many shit bands releases albums these days anyways. Dan Swanö will mix our future demos and should we ever end up doing an album he'd mix it for sure.
MP - How did the oportunity of working with members of The Project Hate came up?
MP - Do you think that death metal is still an original musical style? Many people say that the scene is again saturated... Do you think you can bring something new to the scene?
LKP - We are not even remotely interested in bringing something new to the scene. We just wanna play brutal music and kick everyone's ass. Which is what we do.
MP- Can you give us some influences of your band?
LKP - Vomitory, Vicious Art and The Project Hate. That's everything we listen to.
MP - Do you know Portugal? Do you know portuguese bands? Will you ever consider coming here?
LKP - Is Moonspell from there? That's all I know if so. We'll come to your country if someone hands us a good deal. Hell, we'll play in your arsecrack should the deal be good enough.
MP - For bands that are starting now, do you have any advices?
LKP - Yeah, give up. You will never be as good as us anyways. And setting for second best is useless.
MP - Are there any bands - lately - that "make your heart beat fast"?
LKP - Nope. They all fucken suck.